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After several days of travel, the five men found themselves on a desert planet, seeing nothing for miles but sand. Heads down, they forged ahead, prepared for an interminably long journey. But it was only a few hours later when they caught sight of the very thing they’d come all this way to find.\u003c\/p\u003e\n\u003cp\u003eThere it was, glowing in the distance—completely intact, with nary a scratch on it. It seemed to sit there in a natural way, as though someone or something had placed it ever-so-perfectly in that very spot. The eerie glow emanating from the massive structure captivated the quintet.\u003c\/p\u003e\n\u003cp\u003eTogether they approached, closer and closer, in a silent harmony of movement. The structure grew with every step they took, but they all somehow knew implicitly that retreat was no longer a choice. An odd, delicate dance between man and machine waged on for what seemed like hours, until there they stood at the foot of this archaic apparatus. 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Fat White Family came on to the London sense in 2011. It took them until 2013 to released their debut album Champagne Holocaust, but it wasn't until 2014 that the album was released in the States. \u003c\/p\u003e\n\u003cp\u003eIncludes bonus 7\" featuring \"Touch the Leather\" \u003c\/p\u003e\n\u003cp\u003e1. Auto Neutron\u003c\/p\u003e\n\u003cp\u003e2. Is It Raining in Your Mouth?\u003c\/p\u003e\n\u003cp\u003e3. Who Shot Lee Oswald?\u003c\/p\u003e\n\u003cp\u003e4. Without Consent\u003c\/p\u003e\n\u003cp\u003e5. Special Ape\u003c\/p\u003e\n\u003cp\u003e6. Cream of the Young\u003c\/p\u003e\n\u003cp\u003e7. Wild American Prairie\u003c\/p\u003e\n\u003cp\u003e8. Borderline\u003c\/p\u003e\n\u003cp\u003e9. Heaven On Earth\u003c\/p\u003e\n\u003cp\u003e10. bomb Disneyland\u003c\/p\u003e\n\u003cp\u003e11. 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Been Mistreated\u003c\/p\u003e\n\u003cp\u003e2. Come on In(Live)\u003c\/p\u003e\n\u003cp\u003e3. Let My Baby Ride\u003c\/p\u003e\n\u003cp\u003e4. Don't Stop Honey\u003c\/p\u003e\n\u003cp\u003e5. It's Bad You Know\u003c\/p\u003e\n\u003cp\u003e6. Just Like a Woman\u003c\/p\u003e\n\u003cp\u003e7. Com on in, Pt. 2\u003c\/p\u003e\n\u003cp\u003e8. Rollin' Tumblin'(Remix)\u003c\/p\u003e\n\u003cp\u003e9. Please Don't Stay\u003c\/p\u003e\n\u003cp\u003e10. Shuck Dub\u003c\/p\u003e\n\u003cp\u003e11. Come on in, Pt. 3\u003c\/p\u003e\n\u003cp\u003e12. Heat\u003c\/p\u003e","brand":"R.L. 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Vinyl","offer_id":48100944805993,"sku":"waq1790032226412","price":7.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8697\/8921\/files\/crying-clown-7_1.png?v=1790032231"},{"product_id":"celebration-florida","title":"Celebration, Florida","description":"\u003cp\u003ePurchase and receive an instant download.\u003c\/p\u003e","brand":"The Felice Brothers","offers":[{"title":"Compact Disc","offer_id":48100945100905,"sku":"xnq1790032235328","price":9.75,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":48100945133673,"sku":"fdg1790032235329","price":15.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8697\/8921\/files\/celebration-florida_1.png?v=1790032241"},{"product_id":"colours-to-life-shelter-song-7","title":"Colours To Life \/ Shelter Song 7\"","description":"\u003cp\u003eTemples's album Colours To Life \/ Shelter Song 7\" available to buy from Fat Possum 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Formed in Youngstown, OH, they show their talent for creating dance-worthy synth melodies on their debut BloodSongs. With elements of Kraftwerk and Devo, Party Dream sound paradoxically at times both retro and futuristic. Like watching the 1968 film 2001: A Space Odyssey in 2005. Accounts of their live shows are similarly as confusing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. Buffalo Tears\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Shadow Grip\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Elmo’s Wish\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Building Rockets\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Super Plus Ice Festival\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Alligator Missions\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Bunz Therapy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. A Brave New Christmas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. McCoojah \u0026amp; Kizmit\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Emotion Road\u003c\/span\u003e\u003c\/p\u003e","brand":"Gil Mantera's Party Dream","offers":[{"title":"Compact Disc","offer_id":48100945657961,"sku":"whg1790032268570","price":8.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8697\/8921\/files\/bloodsongs_1.jpg?v=1790032272"},{"product_id":"dead-man-shake","title":"Dead Man Shake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSo, like all of Paul Westerberg's loyal fans, you've been dreaming of the day that the great cranky genius of slop-rock would record a blues album, right? OK, probably not, but Westerberg went and did it anyway (under the guise of his alter ego, Grandpaboy), and Dead Man Shake turns out to be a better album than you might expect under the circumstances. Like the previous Grandpaboy long-player, Mono, Dead Man Shake was recorded in Westerberg's basement studio, with \"Winthrope Marion Purcival V\" once again handling all the instruments, and though one can't help but wish the guy would find a decent drummer, the shabby but emphatic sound of these tracks at once honors the blues-leaning material on deck and suits Westerberg's musical instincts quite well. (The thick echo and chunky guitar textures also recall the sound of the late-'50s\/early-'60s Chess Records sessions, though one doubts the similarity was at all intentional.) Dead Man Shake was released around the same time as the soundtrack to Westerberg's documentary video Come Feel Me Tremble, and both seem to be put together from Westerberg's B-list material, but Dead Man Shake in comparison appears to be B-plus product; his 12-bar meandering on \"No Matter What You Say\" and \"Natural Mean Lover\" allow him to make good use of his\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003esnarkiness, \"Vampires and Failures,\" \"O.D. Blues,\" and \"Get a Move On\" suggest they could have been A-list material with a bit more work, and if the Minneapolis City Council goes on a collective bender long enough, it might make \"MPLS\" the town's new anthem. 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Vampires \u0026amp; Failures \u003cbr\u003e4. No Matter What You Say  \u003cbr\u003e5. Take out Some Insurance \u003cbr\u003e6. Cleaning House \u003cbr\u003e7. Natural Mean Lover  \u003cbr\u003e8. Get a Move On \u003cbr\u003e9. Bad Boy Blues \u003cbr\u003e10. Souvenirs  \u003cbr\u003e11. I'm so Lonesome I Could Cry \u003cbr\u003e12. O.D. Blues \u003cbr\u003e13. Dead Man Shake \u003cbr\u003e14. What Kind of Fool Am I\u003c\/span\u003e\u003c\/p\u003e","brand":"Grandpaboy","offers":[{"title":"Compact Disc","offer_id":48100945723497,"sku":"ogw1790032275071","price":10.27,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":48100945756265,"sku":"suq1790032275072","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8697\/8921\/files\/dead-man-shake_1.jpg?v=1790032279"},{"product_id":"dead-stray-dog","title":"Dead Stray Dog","description":"\u003cp\u003eLouisiana Red's album Dead Stray Dog available to buy from Fat Possum Records.\u003c\/p\u003e","brand":"Louisiana Red","offers":[{"title":"Compact Disc","offer_id":48100945789033,"sku":"uvp1790032275545","price":9.62,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":48100945821801,"sku":"gud1790032275546","price":15.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8697\/8921\/files\/dead-stray-dog_1.png?v=1790032280"},{"product_id":"defector","title":"Defector","description":"\u003cp\u003eJojo Hermann's album Defector available to buy from Fat Possum Records.\u003c\/p\u003e","brand":"Jojo Hermann","offers":[{"title":"Compact Disc","offer_id":48100946051177,"sku":"pes1790032286464","price":9.6,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":48100946083945,"sku":"dby1790032286465","price":6.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8697\/8921\/files\/defector_1.jpg?v=1790032291"},{"product_id":"dye-it-blonde","title":"Dye It Blonde","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSmith Westerns consists of Cullen Omori (vocals), Max Kakacek (Guitar), and Cameron Omori (Bass). All members range in age from 19 to 20. Since forming in 2007, Smith Westerns have managed to tour both the United States and Europe while supporting the likes of MGMT, Florence and the Machine, Belle and Sebastian, Girls, and Passion Pit. Their self recorded “lo-fi ” debut Smith Westerns released in 2009, garnered critical acclaim for their youthful and glam rock tinged approach to pop music. In 2010, Smith Westerns teamed up with Chris Coady (Yeah Yeah Yeahs, TVOTR, Beach House) and current record label Fat Possum to record their sophomore effort in a proper studio. The result was a cleaner\/higher quality recording of lush, layered timeless pop songs with emphasis on the guitar virtuosity of Led Zeppelin and the arena rock anthem’s of Oasis.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. Weekend\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Still New\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Imagine Pt. 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. All Die Young\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Fallen In Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. End of the Night\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Only One\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Smile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Dance Away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Dye The World\u003c\/span\u003e\u003c\/p\u003e","brand":"Smith Westerns","offers":[{"title":"Compact Disc","offer_id":48100946182249,"sku":"kzi1790032292848","price":9.75,"currency_code":"USD","in_stock":true},{"title":"Vinyl","offer_id":48100946215017,"sku":"ovh1790032292849","price":16.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8697\/8921\/files\/dye-it-blonde_1.png?v=1790032297"},{"product_id":"destroy-all-human-life","title":"Destroy All Human Life","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn 1999 \"Edinburgh's least favorite sons,\" the Country Teasers, made their Fat Possum\/Epitaph debut with their third LP, Destroy All Human Life. Many saw it as an unusual move for a label with a roster primarily made up of aging African-American bluesmen to sign a Scottish band with a reputation for writing racist, sexist, generally misanthropic songs. However, the folks at Fat Possum were clued-in enough to know that the Country Teasers use incendiary lyrics as a way to exaggerate hot-button issues in such a way as to make obvious just how ridiculous it would be if they (or anyone else) truly subscribed to such bigoted beliefs -- exaggerated social satire much in the vein of Jonathan Swift's infamous address of homelessness, A Modest Proposal. Pristine in production and performance in comparison to earlier efforts, for the first time on a Country Teasers record, all of the instruments can be deciphered, including the addition of piano on several songs, and most of Ben Wallers' lyrics can be readily understood. Whereas the sheer racket of earlier releases would have you believe otherwise, the Country Teasers are actually talented musicians. While the winding-down music box-paced, fractured country discord is still in place, Wallers and co. (revamped following Satan Is Real Again) seem to have matured a bit on this\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003erecord, taking a break from their usual noisefest to slow things down and include songs that are, at times, rather beautiful. Case in point is the album's third song, \"David I Hope You Don't Mind,\" written in the form of letters exchanged between Wallers and an ailing musical idol, it marks perhaps the first song on which Wallers actually sings. Proving that the \"country\" in the band's name has more to do with classic country \u0026amp; western than the new wave of pop-country drivel, Wallers offers up a surprisingly effective though out of key cover of Tammy Wynette's \"Almost Persuaded\" (1995's Pastoral -- Not Rustic found the band covering Wynette's \"Stand by Your Man\"). Both songs are written from a woman's perspective, and Wallers performs them accordingly. \"Hairy Wine\" seems to be an anti-heroin, song in which Wallers declares \"I like the swastika, I also like the Jew\/I like the negro and the KKK too...The only type I don't like is you, when you are a junkie,\" while the oddly pretty, musically almost Guided by Voices-like, \"Golden Apples\" finds him pointing out flaws in his bandmates and declaring himself \"the perfect image of mankind, made by god to remind him of his son.\" Wrapping things up is the hypnotic, nearly epic \"Song of the White Feather Club Secretary.\" A favorite allusion of Wallers, the White Feather Club was the dubious distinction put upon men who failed to promptly enlist in the British military circa 1914. Women gave these men white feathers, marking them as cowards, as a means of guilting them into enlisting.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e-Karen E. Graves\u003cspan\u003e \u003c\/span\u003eAllmusic.com\u003cspan\u003e \u003c\/span\u003e4\/5\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Reynard the Fox \u003cbr\u003e2. Golden Apples \u003cbr\u003e3. David I Hope You Don't Mind\u003cbr\u003e4. Hairy Wine  \u003cbr\u003e5. Deliverance from Misrule \u003cbr\u003e6. Almost Persuaded \u003cbr\u003e7. Go Away from My Window \u003cbr\u003e8. Brown Jews Etc  \u003cbr\u003e9. Women \u0026amp; Children First  \u003cbr\u003e10. Come Back Maggy  \u003cbr\u003e11. 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His angular, atonal bottleneck guitar playing and garbled vocals are bound to offend many fans of slick, contemporary urban blues, but for a raw taste of the Delta you need not look further. Although the songs and performances on The Horror of It All rank a notch below those on 1994's Feel Like Doin' Something Wrong, it's still a strong outing. Davis goes it alone with his guitar on most of the tracks; joined only by drums on one song; and drums, bass, and second guitar on another. Yet, despite the sparseness of the instrumentation, the album offers more variety than most of the contemporaneous releases on the label. Davis veers comfortably from the type of hypnotic, droning blues favored by deceased labelmate Junior Kimbrough on tracks like \"The Horror\" to John Lee Hooker-like boogies such as \"I Want You.\" Mostly, though, Davis sounds like no one so much as himself. As per usual with Fat Possum Records releases, even the most familiar blues on the album (e.g., \"Keep on Snatchin' It Back, \"Coon Can Mattie\") are listed as originals, and one song (\"If You Like Fat\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eWomen\") is reprised from the earlier album. None of which matters, of course, when the performances are this spirited. Davis manages to make each of these songs his own. The Horror of It All makes a nice addition to any Delta blues collection.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e-Jeff Knokel\u003cspan\u003e \u003c\/span\u003eAllmusic.com\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. Coon Can Mattie\u003c\/p\u003e\n\u003cp\u003e2. Chicken Hawk\u003c\/p\u003e\n\u003cp\u003e3. Keep on Snatchin It Back\u003c\/p\u003e\n\u003cp\u003e4. The Horror\u003c\/p\u003e\n\u003cp\u003e5. Come Here Baby\u003c\/p\u003e\n\u003cp\u003e6. 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